Graphic design and production of the book Les Yeux dans les yeux. Portraits de la Collection Pinault [Eyes in the eyes. Portraits from the Pinault Collection] for the eponymous exhibition, presented at Couvent des Jacobins in Rennes from 14th June to 14th September 2025.
Curator: Jean-Marie Gallais

Graphic design and production of the book Worth. Inventer la haute couture for the eponymous exhibition, presented at Petit Palais from 7th May to 7th September 2025.
General curators: Miren Arzalluz, Annick Lemoine
Scientific curators: Sophie Grossiord, Marine Kisiel, Raphaële Martin-Pigalle assisted by Alice Freudiger and Jacqueline Dumaine

Graphic design and production of the book La manie des tours du monde. De Jules Verne aux premiers globetrotters for the exhibition Tours du monde. De Jules Verne aux premiers globetrotters, presented at the Musée national suisse – Château de Prangins from 6th April to 26th October 2025.

Curators: Raphaël Pieroni, Jean-François Staszak

Presentation of my work as a graphic designer, typeface designer and typeface editor, as well as the activities of Électro-bibliothèque, at the invitation of Jean loup Fusz et Franck Payen, on the occasion of the Adobe User Group #6 at Campus Fonderie de l'image on 30 january 2025.

Graphic design of the biannual programme for the Musée Unterlinden from January to August 2025.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Graphic design and production of the book Les métropoles face aux défis de la densité, published by the Grand Paris metropolis.

Education course commissioned by Swash, in order to understand the history of typography, its evolutions and its issues.

Typographic consulting for the graphic design studio Travaux-Pratiques.

Graphic design and production of the book L'Age atomique for the exhibition L'Age atomique, les artistes à l'épreuve de l'histoire, presented at the Musée d'Art moderne de Paris from 11 October 2024 to 9 February 2025.

Scientific curators: Julia Garimorth, Maria Stavrinaki

Scientific advisor: Kyveli Mavrokordopoulou

Graphic design and production of the book SUB L’Immersion for photographer Ewan Lebourdais.

Awards:
— Winner of the ‘Prix beau livre’, awarded by the Académie de marine, 2025
— Escourbiac wins the 66th cadrat d’or with four books, including SUB L’Immersion

Type design and graphic design for my daughter's birth announcement, based on Wälter Kach's work on the Roman capitals engraved on the Trajan column in Rome.

Graphic design and production of the book Paris, Fashion, Sport [Paris, mode, sport] for La Mode en mouvement #2 [Fashion in movement #2], an exhibition from the series presented at the Palais Galliera, musée de la Mode de Paris from 16th June 2023 to 12th October 2025.
General curator: Miren Arzalluz
Scientific curator: Marie-Laure Gutton and the entire conservation team, assisted by Samy Jellil

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Published by the English foundry Stephenson, Blake & Co. in 1905, the typeface Windsor is a titling font designed to meet the developing needs of 20th-century advertising. The idea behind the publication of the typeface EB Reklame is to look at Windsor with fresh eyes, stripping it back and dusting it off, in an attempt to unearth the initial precision of the letters while preserving what makes it so utterly distinctive.

View the projet on Électro-bibliothèque.

Education course commissioned by Swash, in order to understand the history of typography, its evolutions and its issues.

Presentation of my work as a graphic designer, typeface designer and typeface editor, as well as the activities of Électro-bibliothèque, at the invitation of Benoît Canaud, on the occasion of the Type Directors Club #69 exhibition at ECV Paris from 27 May to 1st June 2024.

Typographic consulting for the graphic design studio Travaux-Pratiques.

Presentation of Électro-bibliothèque's activities, on an invitation of Elsa Aupetit and Simon Renaud, organisers and curators of Puces Typo, on the occasion of Puces Typo #14, held on 25 May 2024.

C'est juste un livre was produced for the 14th Puces Typo, held on Saturday 25 May 2024 at the Fonderie de l'Image campus in Bagnolet.

This publishing project prefigures Un livre est, a collection of quotations about the book object to be published by Électro-bibliothèque in 2025. These extracts, most of them very short, are taken from a range of publications, both old and new, and provide a map of this everyday object from a number of angles: authorial, conceptual, editorial and material.

Buy at Électro-bibliothèque.

Graphic design of the biannual programme for the Musée Unterlinden from April to September 2024.

Communication documents for the exhibition Colour, Glory and Beauty [Couleur, gloire et beauté] at the Musée Unterlinden, from 4 May to 23 September 2024.

Scientific curators: Isabelle Dubois-Brinkmann, Aude Briau

Co-curators: Camille Broucke, Pantxika De Paepe, Magali Haas

Education course commissioned by Swash, in order to understand the history of typography, its evolutions and its issues.

Graphic design for the exhibition catalogue of Sean Landers, Animal Kingdom, from 17th October 2023 to 10th March 2024, at musée de la Chasse et de la Nature, Paris.
Curation: Christine Germain-Donnat, Rémy Provendier.

Greeting card 2024 for Une Fabrique de la ville, urban planning agency.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Customization of the Ackerhof typeface published by Électro-bibliothèque for the visual identity of Ateliers Vortex.
Graphic Design: Atelier Tout va bien

Graphic design of the ninth album for musée des Arts décoratifs de Paris, published at the occasion of La Maison pour tous exhibition [The House for all], from 8th November 2023 to 28th Januray 2024.
Curation: Sébastien Quéquet.

Presentation of my type and graphic design practice at Université Paris 1 Panthéon-Sorbonne [Sorbonne University], invited by Marie Lejault, teacher and co-founder of publishing house T&P Publishing.

Update of Musée Unterlinden’s map.

Graphic design of the book Plus loin, plus proche [Further away, closer] retracing the fifteen years of existence of the urban planning agency Une Fabrique de la ville.

Graphic design of the biannual programme for the Musée Unterlinden from September 2023 to March 2024.

Graphic design of the eighth album for musée des Arts décoratifs de Paris, published at the occasion of Mode et sport exhibition [Fashion and Sport], from 20th September 2023 to 7th April 2024.
Curation: Sophie Lemahieu.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Presentation of my graphic design and type design practice, invited by Thanh Phong-Lê, founder of graphic design office Travaux-Pratiques.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Graphic design of the seventh album for musée des Arts décoratifs de Paris, published at the occasion of Du bol! À travers les collections asiatiques du musée des Arts décoratifs exhibition [From the bowl! Through the Asian collections of the Musée des Arts Décoratifs], from 7th June to 9th July 2023.
Curation: Béatrice Quette.

Graphic design of the sixth album for Musée des Arts Décoratifs de Paris, published at the occasion of Des cheveux et des poils exhibition [Hair and bristles], from 5th April to 17th September 2023.
Curation: Denis Bruna.

Graphic design and production of Bourdelle Museum's guide published at the occasion of its re-opening in March 2023.

Direction: Ophélie Ferlier-Bouat
Project Manager for the Director: Jérôme Godeau

Graphic design of the fifth album for Musée des Arts Décoratifs de Paris, published at the occasion of François Azambourg. Légèretés manifestes [François Azambourg. Obvious slightness], from 9th March to 2nd July 2023.
Curation: Cloé Pitiot.

Graphic design of the fourth album for Musée des Arts Décoratifs de Paris, published at the occasion of Jacques Doucet et Moïse de Camondo. Une passion pour le XVIIIe siècle exhibition [Jacques Doucet and Moïse de Camondo. A passion for 18th century], from 15th March to 3rd September 2023.
Curation: Juliette Trey.

Graphic design of the biannual programme for Musée Unterlinden from January to August 2023.

Graphic design for the exhibition catalogue of 1997. Fashion Big Bang at Palais Galliera, museum of Fashion, from 7th March to 16th July 2023.
Curation: Alexandre Samson.

Visual communication for the event L'Œuvre qui va suivre [The Work That Follows] in partnership with the CCN • Ballet de l'Opéra national du Rhin, from 5 to 24 March 2023.

Education course commissioned by Swash, in order to understand the history of typography, its evolutions and its issues.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Lecture at school ECV Paris, invited by Jad Hussein.

Graphic design of the third album for Musée des Arts Décoratifs de Paris, published at the occasion of Exposition universelle de 1900: des décors aquarellés retrouvés exhibition [1900 Universal Exhibition: Found Watercolour Decorations], from 1st november to 13th november 2022.
Curation: Astrid Grange.

Exhibition catalogue of Conserver, adapter, transmettre [Preserve, Adapt, Pass Down], exhibition at Pavillon de l'Arsenal from 19th october 2022 to 5th march 2023.
Curating: Pavillon de l'Arsenal

Graphic design for the second album for Musée des Arts Décoratifs de Paris, published on the occasion of the exhibition Années 80. Mode, design et graphisme en France, from 12th october 2022 to 16th april 2023.
Curating: Amélie Gastaut, Karine Lacquemant, Mathilde Le Corre, Sébastien Quéquet.

Graphic design of La Terre, le vivant, les humains. Petites et grandes découvertes de l'histoire naturelle [Earth, Living, Humans. Small and Big Discoveries of Natural History], published by La Découverte/Dominique Carré.
Supervised by Jean-Denis Vigne, Bruno David, Guillaume Lecointre, Frédérique Chlous, Gaël Clément and Jian-Sheng Sun.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Graphic design of the biannual programme from October to December 2022 for Unterlinden Museum, Colmar.

Graphic design of a roll'up for Unterlinden Museum, Colmar.

Graphic design of the leaflet of the Musée Unterlinden's collections.

Update of Musée Unterlinden's map.

Visual communication for the inauguration of the Isenheim Altarpiece at Musée Unterlinden, Colmar.

Les heures inégales presents a number of photographs by artist Ghislain Mirat taken over a period of ten years, from 2011 to 2021. Shot all over the world using different film cameras, this is the first time that these images have been collected together in one book, reconstituting a narrative thread that punctuates a single day, stretching from Montreal to Cleveland, by way of Mexico, Marseille and Osaka.

Nina Ferrer-Gleize accompanies this work of photography with a text on shadows, W.G. Sebald, and the elasticity of time.

Buy at Électro-bibliothèque

Exhibition catalogue of Jean Painlevé. Les pieds dans l'eau [Jean Painlevé. Feet in the Water], exhibition at Jeu de Paume from 8th june 2022 to 18th september 2022.
Curating: Pia Viewing in collaboration with Brigitte Berg.

Graphic design of a collection of booklets for the Musée des Arts décoratifs in Paris. The first one is on the landscape architect Achille Duchêne, published on the occasion of the Salon du dessin from 17 to 23 May 2022.

Ackerhof is a typeface designed after a visit to the Musée Unterlinden in Colmar. It proposes a consideration of monospace typefaces.

Buy at Électro-bibliothèque

Monitoring of editorial projects around fundamental texts on typography.

Graphic design of the biannual programme from October to December 2022 for Musée Unterlinden, Colmar.

Design and production of a press kit template.

Monitoring of editorial projects for the ECV's Design & Typography 2022 master's class.

Exhibition catalog of Paysans designers, l'agriculture en mouvement [Farmer designers, Agriculture on the move], at musée des Arts décoratifs et du Design Bordeaux, from July 14th 2021 to January 17th 2022.
Curating: Constance Rubini assisted by Étienne Tornier

In September 2021, graphic designer Jad Hussein led a book design workshop at the ECV school in Aix-en-Provence. For his selection of references, he asked different designers (Building Paris, Olivier Lebrun and myself) to choose from our libraries between one and three books which have marked our practices, and to write a commentary on them. For my part, I chose two books from my recent purchases that I find exemplary: the first designed by John Morgan and Adrien Vasquez for the architect David Chipperfield, the second by Mevis & van Deursen for the artist Pieter Vermeersch.

You can read the short texts that I wrote on this occasion here (French only).

Visual communication and guidelines of Têtes à têtes [Head to head] exhibition, at Musée Unterlinden, Colmar, from 6 November 2021 to 7 February 2022.

Graphic design of Cartographie radicale. Explorations [Radical Cartography. Explorations] by Nephtys Zwer and Philippe Rekacewicz, published by La Découverte/Dominique Carré.

Exhibition catalogue of Le Parloir des souhaits [The Wishes Parlour], carte blanche to Duy Anh Nhan Duc at Musée national des arts asiatiques – Guimet, Paris, from November 10th 2021 to February 7th 2022.
Overall curating : Sophie Makariou
Curating : Duy Anh Nhan Duc and Olivia Brunet

Visual communication of Paysans designers, l'agriculture en mouvement exhibition [Farmer designers, Agriculture on the move], at musée des Arts décoratifs et du Design Bordeaux, from July 14th 2021 to January 17th 2022.
Curating: Constance Rubini assisted by Étienne Tornier

Visual identity of Swash, education provider, founded by Loïc Marteau, Marianne Huot and Jean-Loup Fusz in 2021.

Typographic consulting for the graphic design studio Travaux-Pratiques.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Visual communication for the Amours au musée [Loves in the Museum] tour at Musée Unterlinden, Colmar.

Graphic design of the first biannual programme of 2021 for Musée Unterlinden, Colmar.

Immortel is a type family with four variants developed according to the Hippocratic theory of humors that explains these latter through the presence of one of the four principal fluids. Each one is the cause behind the development of a character trait: phlegm represents a lymphatic, sluggish, slow character (Immortel Infra); yellow bile, an angry and prideful character (Immortel Colera); blood, a jovial and warm character (Immortel Vena); and black bile provokes hopelessness and melancholy (Immortel Acedia).

Read the research here.
Fonts available from 205TF.

Teaching editorial design to 4th and 5th year MA students for their thesis design.

Graphic design of Identités du transitoire [Transient identities], a major book for École nationale supérieure d’art et de design de Nancy. The topic is more than current in 2021 since it tackles temporary habitats and emergency systems. It gathers texts from the symposium “Identités du transitoire”, held by ENSAD Nancy back in 2015, but also new ones intended for the publication.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Graphic design and development for Musée Unterlinden’s map.

Creation of an identity sign and visual communication for the new itinerary of the Unterlinden Museum, on the occasion of its reopening after the measures taken by the French government following the Covid-19 health crisis.

Creation of a pictogram typeface for the new design of the Télérama website and application.
Art direction: Loran Stosskopf
Coordination: Julien Daniel

Organisation of a layout workshop for 4th year MA students at EESI Poitiers.
The participants were invited to typeset a text with strong constraints in order to familiarise themselves with typesetting and software used.

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Graphic design and production of the reorganisation and positioning report for the Étoffes & Déclinaisons brand by H O H — Mathieu Goulmant and Viviane Kajjaj.

Graphic design of the invitation card for Michel Paysant's exhibition De mains et d'yeux [Of Hands and Eyes] at the Unterlinden Museum, Colmar, from 7 February to 22 June 2020.

2020 digital greeting card from the Musée Unterlinden, Colmar.

Graphic design of the first Musée Unterlinden's biannual programme of 2020 from January to August.

Visual guidelines and production of the printed documents for the opening of the new archaeology room of the Musée Unterlinden, Colmar.

Poster for the Design Education Group.
Third conference: Algorithms, at the Maison du libre et des communs, Paris, 12 December 2019
Lecturer: Estelle Hary

Education course commissioned by Pyramyd, in order to understand the history of typography, its evolutions and its issues.

Teaching editorial design to 4th and 5th year MA students for their thesis design.

Graphic design of flag poles for the Musée Unterlinden, Colmar.

Poster for the Design Education Group.
Second conference: Énergie et technique [Energy and technology], at the Maison du libre et des communs, Paris, 17 October 2019
Lecturer: Gauthier Roussilhe

Collaboration with Hélène Giannecchini and Stéphanie Solinas for their collaborative piece Ce que tu nommes fantôme porte le nom d'image [What you call a ghost is known as an image], on the occasion of the collective exhibition La fin des forêts [The end of the forests] for the ¡Viva Villa! festival, bringing together the 2018-2019 residents of the Villa Medici, Villa Kujoyama and Casa de Velázquez Exhibition at the Collection Lambert in Avignon, from 11 October to 10 November 2019.

Curator: Cécile Debray

Poster for the Design Education Group.
First conference: Économie et design [Economy and design], at the Maison du libre et des communs, Paris, 26 September 2019
Lecturer: Gauthier Roussilhe

Visual identity of the Design Education Group.
Lectures are organised throughout the year on the theme of design. Each lecture focuses on a particular aspect of design and is given by a new lecturer. The visual identity is based on the unique use of a typographic typeface, Ackerhof.
Founder: Gauthier Roussilhe

Graphic design for 9ph Photograpgy and contemporary image 2019 festival edition.

The visual communication for this year’s edition is based on an image of an explosion seen through a viewfinder, symbolised by a cross. Since the each one of the printing color layers (CMYK) are placed randomly, the overlap reveals distorted screen dithering, resulting in a glitchy, troubling image that echoes the theme of this edition “A world falling apart: which visual depictions?”

Visual identity of 9ph Photographie et image contemporaine.

Education course commissioned by Pyramyd to learn how to use the type design software Glyphs and the basics of type design.

Graphic design of posters for the play Traversée anatomique [Anatomical Crossing] by writer Hélène Giannecchini, on the occasion of the collective exhibition Le vent se lève [The Wind Is Rising] at the Villa Médicis, Rome, from 24 May to 15 August 2019.

With: Amalia Finkelstein, Clara Iannotta, François Hébert, Gaëlle Gabillet and Stéphane Villard (studio GGSV), Hélène Giannecchini, Léonard Martin, Lili Reynaud-Dewar, Lola Gonzàlez, Mathieu Lucas, Miguel Bonnefoy, Pauline Lafille, Rebecca Digne, Riccardo Venturi, Sasha Blondeau, Thomas Lévy-Lasne
Curator: Evelyne Jouanno, Hou Hanru

Graphic design for Musée Unterlinden’s map.

Graphic design of the second biannual programme of 2019 for Musée Unterlinden, Colmar.

Lecture on the typeface project Immortel at the Maison du livre, Brussels, 23 April 2019.
Invited by Olivier Bertrand.

Editing and graphic design of the photographer Flore Tricotelle's book, published for her exhibition at the Fontaine Obscure gallery, Aix-en-Provence, from 3 to 27 April 2019.

The placement and number of images per page follows a protocol principle in echo with Flore Tricotelle's work.

Graphic design and production of a leaflet and a roll'up to promote the restoration of the Issenheim Altarpiece at the Musée Unterlinden, Colmar.

Printed visuel communication for Musée Unterlinden, Colmar.

Digital greeting card for the year 2019 from the Musée Unterlinden, Colmar.

Teaching editorial design to 4th and 5th year MA students for their thesis design.

Graphic design of the Gauthier Roussilhe's design thesis.

Graphic design of flag poles for the Musée Unterlinden, Colmar.

Art direction and graphic design of L'aventure Brel [The Brel Adventure], a special issue of Télérama dedicated to Jacques Brel for his 40th anniversary's death.

Member of the jury for accreditation of prior experiential learning (APEL) for the DNSEP 2018 at ENSBA Lyon, on 12 and 13 September 2018.

Participation in issue 13 of the magazine La Perruque to present the typefaces Immortel Infra and Immortel Acedia, a typographic project started at the Atelier national de recherche typographique in October 2016.
Founded by Olivier Bertrand, La Perruque is a magazine of typographic specimens printed in offset sheet margins, presenting a new typeface each issue.

Organisation of a layout workshop for 3rd year students at ENSAD Nancy.
Starting with a book in bad condition on conceptual art, wich the pages had been reassembled in the wrong order, the participants were invited to rework the layout of each chapter in order to deliver a new version.
Invited by Pierre Vanni.

Lecture on revival practice as part of the Immortal project started at the Atelier national de recherche typographique, at ENSAD Nancy, on 15 December 2017.
Invited by Thomas Huot-Marchand.

Visual communication for the Andres Serrano exhibition at the Petit Palais, Paris, from 7 October 2017 to 14 January 2018.
Curated by Susana Gállego Cuesta, on a proposal by Constance Dumas.

Website and visual communication for the documentary Ethics for Design. 12 designers and researchers, from 8 European cities, discuss the impact, sometimes negative, of design on our societies and the ways in which designers can work for the common welfare.
Editor, concept and production: Gauthier Roussilhe
With: Alain Findeli, Antoine Fenoglio, James Auger, Flora Fischer, Geoffrey Dorne, James Williams, Laura Pandelle, Matthieu Cherubini, Nicolas Nova, Peter Biľak, Sarah Gold, Thomas Schnur

Graphic design of the third issue of the Lyon-based magazine Sottises.

“Color depends on nature and perception of its effects, thro' all the mutability of time and seasons.” (Turner) Dedicated to the digital subject, the images - with the exception of those on the cover - of this issue are printed in RGB.

Production of the typogram of the École nationale supérieure d'art et de design de Nancy.
Design and development of the graphic system by Nicolas Pleutret.

Organisation of a type design workshop for all years students of ENSAD Nancy.

Visual communication for the group exhibition Une inconnue d'avance [An unknown in advance], 3rd edition of the Emerige revelations bursary, at the Georges-Philippe & Nathalie Vallois gallery, Paris, from 4 to 23 November 2019.

With: Alexandre Silberstein, Baptiste Rabichon, Célia Gondol, Edgar Sarin, Johanna Benaïnous & Elsa Parra, Léa Belooussovitch, Raphaël Tiberghien, Rémy Briere, Sophie Kitching, Thomas Guillemet & Olivier Alexanian, Ugo Schiavi, Yeojin Kim.
Curator: Gaël Charbau
Assistant: Aurélie Faure

Poster to promote the book Notions de Futur [Notions of Future], an essay by Gauthier Roussilhe.

English version of the book Notions de Futur [Notions of Future] by Gauthier Roussilhe.

Visual communication for the screen printing workshop organised by Sarah Fouassier and the Sottises magazine team, at Atelier Colora, Lyon, on 27 May 2016.
Guest artists: Antoine Eckart, Chloé Fournier, Rémy Mattei

Exhibition catalog for Dernière danse [Last Dance] that shows the iconographic variants of the macabre dance theme in Strasbourg's museums, at the Galerie Heitz in the Palais Rohan, Strasbourg, from 21 May to 29 August 2016.
Curators: Florian Siffer and Franck Knoery.

This book, produced for the exhibition Dernière danse [Last Dance] at the Galerie Heitz in the Palais Rohan in Strasbourg, is a reworking of a book by Walter Draesner, Ein Totentanz. Nach Scherenschnitten von Walter Draesner, published in 1922.

English version of the book Strange Design, gathering interviews and essays on the question of "strange" objects: dysfunctional, enigmatic, complicated, which question and problematize the status of the object rather than providing functional solutions.

Graphic design of Gauthier Roussilhe's essay which explores the evolution of the concepts of space, time and society from 2000 to 2099.

Visual identity of the design and research studio Flair.
Founders: Gauthier Roussilhe, Oscar Mantilla

Graphic design and layout for the second issue of the Lyon-based magazine Sottises.

Design and production of the visual identity and visual communication for Sottises, a magazine publishing association in Lyon. The editorial approach of the magazine aims to promote the emerging culture of Lyon by inviting creators to respond to a new topic in each issue.
Founder: Sarah Fouassier

Graphic design of the 2014 annual report of the Centre national des arts plastiques—CNAP, including the creation of a data visualisation system.
A version optimised for download and home printing is available at this URL: https://www.cnap.fr/rapport-dactivite-2014

Conception graphique de la campagne de lancement de saison 2015–2016 pour la Maison de la culture de Grenoble (MC2:).

Direction : Jean-Paul Angot
Secrétariat général : Martine Maurice
Équipe : Julia Azaretto, Marion Labouré

Redesign of the Maison de la culture de Grenoble (MC2:) visual identity.

Director: Jean-Paul Angot
Secretary: Martine Maurice
Team: Julia Azaretto, Marion Labouré

Catalogue of the exhibition Avatars de Rousseau. Héritage et postérités [Rousseau's avatars. Legacy and posterity] at the Grenoble Study and Information Library, from 26 April to 26 July 2012, on the occasion of Rousseau's tercentenary.

Graphic design of the first album of the Stokolm band.

Band: Renaud Cerqueux, Fabien Bellazreg, Lionel Prigent, Jean-Marc Kerléo

Graphic design of the presentation booklet for the École nationale supérieure des beaux-arts de Lyon.

Booklet and digital document presenting the preparatory class of École nationale supérieure des beaux-arts de Lyon.

Visual communication for the 10th anniversary of the Maison de la culture de Grenoble (MC2:).

Director: Jean-Paul Angot
Secretary: Géraldine Garin
Team: Julia Azaretto, Marion Labouré

Graphic design of the book Strange Design, gathering interviews and essays on the question of “strange” objects: dysfunctional, enigmatic, complicated, which question and problematize the status of the object rather than providing functional solutions.

Launch campaign for the 2014-2015 season of the Maison de la culture de Grenoble (MC2:).

Director: Jean-Paul Angot
Secretary: Géraldine Garin
Team: Julia Azaretto, Marion Labouré

Visual identity of the Maison de la culture de Grenoble (MC2:).

The Maison de la culture de Grenoble, scène nationale, hosts various types of events (theatre, dance, music, circus). It organises specific events for the family and tours in Isère. It also houses the Grenoble National Choreographic Centre (CCN2). Faced with the request to rethink the visual identity of this variable geometry structure, the graphic response was based on the use of the Programme typeface, designed by Maximage and distributed by Optimo. This typeface, designed according to a computer program, includes alternative letters that give it a distinctive look.

Director: Jean-Paul Angot
Secretary: Géraldine Garin
Team: Julia Azaretto, Marion Labouré

Communication document on the International Health Regulations, commissioned by the World Health Organization.

Visual communication of the 22nd edition of the festival of innovative music in Saint-Étienne, from 5th to 8th June 2014.
Direction: Bruno Meillier

Graphic design and production of a map listing the organisations able to help and advise people in Saint-Étienne who are in a situation of energy poverty, for the Cité du Design in Saint-Étienne.

Educational file accompanying the USArt exhibition, focusing on minimalism, at the Musée d'art moderne de Saint-Étienne Métropole, from January to December 2014.

Graphic design of the presentation booklet for École nationale supérieure des beaux-arts de Lyon.

Graphic research exhibition at Mademoiselle Major, Lyon, from September to November 2013.

Graphic design and production of a press kit for Architecturestudio, on request of the communication and press agency 14 septembre.

Editorial coordination: Viviane Kajjaj

Graphic design and production of a press kit for Pietri Architectes,, on request of the communication and press agency 14 septembre.

Editorial coordination: Viviane Kajjaj

Booklet and digital document presenting the preparatory class of École nationale supérieure des beaux-arts de Lyon.

Graphic design of the visual identity of Mademoiselle Major, a Lyon-based boutique-gallery.

Founder: Julie-Zoé Michel Mouaïcï

First monograph of the Atelier Thierry Roche & Associés, architects and urban planners.

Visual communication of the 2013-2014 public workshops of the École supérieure d'art et design •Grenoble •Valence.

Director: Jacques Norigeon

Graphic design of visual communication for the The Monkey Club bar, Lyon.

Team: Arnaud Grosset, Vivien Blusset

Graphic design of Moon/The Tide vinyl cover and visual communication for the Stokolm band.

Band: Fabien Bellazreg, Jean-Marc Kerléo, Lionel Prigent, Renaud Cerqueux

Graphic design of the presentation booklet for École nationale supérieure des beaux-arts de Lyon.

Visual system of the Bebup label podcasts, which work in series of five.

Founders: Benjamin Collet, Hugo Passaquin, Thomas Rémilleux

Booklet and digital document presenting the preparatory class of École nationale supérieure des beaux-arts de Lyon.

Exhibition catalogue for photographer Emmanuelle Coqueray for her exhibition Terrain Vague at Espace arts plastiques in Vénissieux, France, from April 28th to June 30th 2012.

Poster for the musical event “Bal de rue”, on the occasion of the Nuits Sonores 2012, organised by the Bebup label and Dolus & Dolus, in Lyon, on 19 May 2012.
Organisers: Benjamin Collet, Hugo Passaquin, Thomas Rémilleux (Bebup); Jean-Emmanuel Rosnet, Simon Parlange (Dolus & Dolus)

Exhibition leaflets for Avatars de Rousseau. Héritage et postérités [Rousseau's avatars. Legacy and posterity], at the Grenoble Study and Information Library, from 26 April to 26 July 2012, on the occasion of the tercentenary of the death of Jean-Jacques Rousseau.

Curators: Brice Frigau Bonfanti, Ludovic Burel

Monographic catalogue of the artist Nicolas Buffe.

Graphic design of the presentation booklet for École nationale supérieure des beaux-arts de Lyon.

Graphic design and production of the first monograph of artist Élodie Lesourd.

Poster for the exhibition Tout le monde connaît Roger Excoffon [Everybody knows Roger Excoffon] at the Musée de l'imprimerie in Lyon, from November 24th 2011 to February 19th 2012.

With: Alaric Garnier & Hugo Anglade, Antoine + Manuel, Change is good, deValence, Frédéric Teschner, Office ABC, Superscript².
Curators: Tony Simões Relvas and Samuel Rambaud.

Poster for the designer Lisa Lejeune, on the occasion of the collective exhibition Design Map at the Cité du Design in Saint-Étienne, from 20 October 2011 to 18 March 2012.

Visual communication of the exhibition Rendez-vous 11 at the Institut d'art contemporain, Villeurbanne, from 15 September to 13 November 2011.

With: Anne-Lise Seusse, Antony Ward, Anya Zholud, Camille Llobet, Émilie Peythieu, Fouad Bouchoucha, François Daillant, Julia Cottin, Matheus Rocha Pitta, Mohamed Konaté, Newell Harry, Richard Proffitt, Rohini Devasher, Sandra Lorenzi, Sasa[44], Soichiro Murata, Sophie T.Lvoff, Thomas Léon, Viriya Chotpanyavisut, Zarouhie Abdalian.
Curators: Isabelle Bertolotti, Nathalie Ergino, Thierry Raspail, Yves Robert.

Edition of the transcripts of conferences held at the EESAB Rennes and ENSBA Lyon on Architecture and Typography. The layout was presented at the 2010 Saint-Étienne International Design Biennial, in the N-1 exhibition in November 2010.

Booklet and digital document presenting the preparatory class of École nationale supérieure des beaux-arts de Lyon.

Visual communication for a symposium on Jean Daive at the ENSBA and the ENS of Lyon.

Business cards for Adera, the network of art schools in Rhône-Alpes.

Graphic design and production of the first monograph of artist Ludovic Paquelier.

The book is divided into three parts: the first part concerns Ludovic Paquelier's wall paintings; the second his zombie ads; the third his preparatory drawings. Each part is printed with specific colours to distinguish them.

PDF version of the transcripts of conferences held at the EESAB Rennes and ENSBA Lyon on Architecture and Typography. The layout was presented at the 2010 Saint-Étienne International Design Biennial, in the N-1 exhibition in November 2010.

Visual communication for the "Shut Up and Jam!" vol. 2 party, Lyon, 15 July 2010.

Organisers: Benjamin Collet, Hugo Passaquin, Thomas Rémilleux (Bebup)

Booklet presenting the preparatory class of the National Superior School of Fine Arts of Lyon.

Each year, a new display typeface, new colours and a new paper, the idea being to show parents/future students that one and the same content can have various aspects depending on the typographic/colour/paper choices.

A collection of images and text fragments collected on the Internet about fear and repulsion.

On sale: https://www.lulu.com/en/en/shop/clément-le-tulle-neyret/fall-into-a-black-hole/ebook/product-16qz299q.html

Visual communication for the event "Points de vue", independent publishing fair, organised at ENBA in Lyon, on 7 and 8 May 2010.

With: 4 Taxis, Architectural Association Publications/Bedford Press, B42, BAT, Revue 2.0.1, Castillo Corrales/Paraguay Press, Cneai=, Dent-De-Leone, Éditions cent pages, Hyphen Press, Ink, Les Prairies ordinaires, Motto, Revue Parade, Rietveld Academie, Roma, Rosa B, Sara de Bondt/Occasional Papers, Will Holder
Organisation/Coordination: Alex Balgiu, Jean-Marie Courant, Ludovic Burel, Samuel Vermeil

Promotional insert for ENBA Lyon for the graphic design magazine Back Cover, using the same rules as the poster "Architecture et Typographie. Le point de vue typographique" ["Architecture and Typography. The typographic point of view"].

Catalogue of the exhibition Backstage at the Spacekraft Pompadour, Lyon, from 14 December to 18 December 2009.

Exhibition
With: Camille Bouvot-Duval, Mathilde Barrio Nuevo, Mathilde Penet, Simon Ladoux
On a proposal by Elsa Escaffre

Poster and leaflet presenting a series of lectures on Architecture and Typography at the École régionale des beaux-arts in Rennes, on Tuesday 3 November 2009.

The construction is suggested by the typefaces used and the layout of the documents, in particular the indents which structure the informations. Once the document is unfolded, a poster is formed on the back.

Link: http://www.esad-amiens.fr/wp-content/uploads/2009/11/Arch-Typo-programme21.pdf

Newspaper on the work of artist Pierre Paulin on the occasion of the collective exhibition Nous ne parlerons pas d'écologie [We won't talk about ecology] at the gallery SDA Sortie des artistes (now "Standards d'expositions") in Rennes, from 2 October to 7 November 2009.

Visual communication of the collective exhibition Nous ne parlerons pas d'écologie [We won't talk about ecology] at the gallery SDA Sortie des artistes (now "Standards d'expositions") in Rennes, from 2 October to 7 November 2009.

With: Benjamin Collet, Élodie Petit, Pierre Gaignard, Pierre Paulin, Quentin Maussang
Curator: Pierre Gaignard

Booklet presenting the preparatory class of the National Superior School of Fine Arts of Lyon.

Each year, a new display typeface, new colours and a new paper, the idea being to show parents/future students that one and the same content can have various aspects depending on the typographic/colour/paper choices.